Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis....(展开全部)

With superb skill and feeling, Graham Greene retraces the experiences and encounters of his extraordinary life. His restlessness is legendary; as if seeking out danger, Greene travelled to Haiti during the nightmare rule of Papa Doc, Vietnam in the last days of the French, Kenya during the Mau Mau rebellion. With ironic delight he recalls his time in the British Secret Service ...(展开全部)

How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever. "Seeing comes before words. The child looks and recognizes before it can speak." "But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the s...(展开全部)

Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U....(展开全部)

In Ten Fundamental Questions of Curating ten distinguished contemporary curators—Jessica Morgan, Juan A. Gaitán, Chus Martínez, Sofía Hernández Chong Cuy, Elena Filipovic, Maria Lind, João Ribas, Peter Eleey, Adriano Pedrosa and Dieter Roelstraete—pose and then propose answers to a series of key questions related to curating, art and exhibition making today: What Is a Curator? ...(展开全部)

让-保罗·马丁（Jean-Paul Martinon），伦敦大学金史密斯学院（Goldsmiths College）“视觉文化和哲学”（Visual Cultures and Philosophy）教授，并与伊尔·罗格夫（Irit Rogoff）共同创建金史密斯学院“策展／知识”（Curatorial / Knowledge）项目。著有《策展哲学》（The Curatorial: A Philosophy of Curating）及《作为伦理的策展》（Curating As Ethics）。 译者： 王乃一，策展人，MediumMedia联合创始人，英国皇家艺术学院V&A/RCA History of Design博士候选人，英国中英文化协会（Sino-British Fellowship Trust）两届学术奖金的获得者。自2017年起，在中央美术...(展开全部)

Stop curating! And think what curating is all about. This book starts from this simple premise: thinking the activity of curating. To do that, it distinguishes between 'curating' and 'the curatorial'. If 'curating' is a gamut of professional practices for setting up exhibitions, then 'the curatorial' explores what takes place on the stage set up, both intentionally and unintent...(展开全部)